ALONG THE DAISY PATH TO THE FULL MOON. March 2020. Above Bats Head, Lulworth, Dorset. Gouache and site earths on handmade cotton rag paper. I walked my way up the hill as the moon rose through an avenue of daisies that were not there on the way down... mysterious - a touch of magic that I have not sought to…
A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. I have a few very similar prints...so do contact me if you would like to see. Postage not included in price.
A watercolour made on location ...on deck... chill mist and quiet serenity. c 1993 Ready to send...it is unmounted and unframed. A selection from my archive of special experiences.November in Norway- a coastal trip.
BLUEBERRY MOON, WEST BEXINGTON. Acrylic and beach material on unstretched canvas. The blueberries I nibbled from the garden were exactly in harmony with the shadows. When the moon rose it was quite a moment...it seemed impossibly big. Note the Sea Kake midst the shingle... 36x122cm image size. 52x135cm framed size. Unstretched canvas- heavy impasto - raised on foamcore on limed…
...a beautiful clear summer dawn... settled weather. The caravans are perched high towards the sun. I'm still in the shade. (diptych) Site debris and watercolour on handmade cotton rag paper. 44x16cm. This is the framed price. Unframed an option. Pleased contact for unframed price.
Made on location in a lively breeze...strong contre jour. A cream tinted Ingres paper upon which I could add the bright white of the breaking waves. Unframed. The cost of postage is not included in this price.
This piece is richly encrusted with the red and white chalk of those remarkable cliffs. The coarse matter in the foreground is Carr stone...coarser than the chalk. The binding medium here is acrylic...I've added blue and yellow artist pigments...everything else was found on location. Unframed work. Handmade cotton rag paper. The cost of postage is not included in this price.
A tiny diptych made in response to an evening in Lulworth walking towards Bats Head and Swyre Head in Dorset. Im using copper plates and oil paint. This is a unique print. Fabriano paper. Paper size 25x30cm.
The silhouettes of rock pool mounds and crows against the low light ... looking straight into the dark/light glare of water, feather and stone. This piece is framed- dimensions: 38x31cm. I'm happy to send a photo of the presentation. The cost of postage is not included in this price. I'll be in touch to discuss options.
This image is framed. Ferry Bridge is just to the top right of the image...Portland is still dark with lights twinkling. Dawn is growing out of a crimson slice cut out of a twilight sky... Acrylic and site debris on handmade cotton rag paper. 70x37cm paper size. 90x55cm framed dimensions.
This began in 2011 in a portrait format. I returned with the piece along the same shoreline over time. It is a constantly mobile bit of coast so it seemed absolutely appropriate to 'over-write' radically according to the conditions. The surface has heavy impasto and is deeply scored...material has been removed as well as added. Currently displayed on a wooden…
DOGS SLEEPING IN FISHING NETS. Mahabalipuram. Tamil Nadu, India. 2010. Watercolour. 43x31cm Going onto the beach in the relative cool pre dawn I was met with playful frisky dogs...as soon as the sun rose they set about sleeping within reach of their supply of food. Here they are having found comfortable niches in the fishing nets.
Dungy Moon Dust was made on the beach at the base of Dungy Head, Lulworth, Dorset. This lies to the eastern end of St Oswald's Bay. The soft earth palette is gathered from the base of the cliffs and mixed with watercolour. The sun sets and the dusk moon is risen. July warmth. A gentle evening. This product is framed…
In March 2020 this was one of the last site visits I made before travel was denied. I sat up on the hillside just above the stream of visitors as the morning sun behind the arch created intense contre jour... a remarkable green/turquoise reflection shimmered in the water. Chalk fragments were scattered around me...they are often tossed out by rabbits.…
Eype beach looking west has some extravagant sweeps and dips...at first light the sun just touches the headlands...it doesn't last long. The rest of the coast is in night shadow. Diptych. Handmade cotton rag paper. This is currently displayed unframed- suspended on wooden batons - this allows the piece to find its own shape and to have no glass interference...do…
EARLY SUN TOUCHES DURDLE DOOR PROMONTARY. 2019. Watercolour and site earths on handmade cotton rag paper. 71x36cm paper size. The piece is framed: dimensions 89x55cm framed. The piece was made along St Oswald's beach west of Dungy Head. A rich local palette can be gathered along the cliff base and on the way down into the steep valley.
Eype beach looking west has some extravagant sweeps and dips...at first light the sun just touches the headlands...it doesn't last long. The rest of the coast is in night shadow. Diptych. Handmade cotton rag paper. This is currently displayed unframed- suspended on wooden batons - this allows the piece to find its own shape and to have no glass interference...do…
This is a unique print...an Artist Proof. Signed on the front in ink. Medium: Hand-finished intaglio print: integrated printed and painted marks. Techniques involved: Photo etching, collagraph ( Ladram Bay Otter Sandstone) earth ink (Mercia Mudstone), black and grey ink applied ‘a la poupée’, hand applied blue, red, yellow and white acrylic. Printed on Arches Cream paper 250gsm. acid free…
Title: Earth Gull: Ladram Call. 2017. Edition: 20 (signed by the artist in pencil on the back of the print) Medium: Hand-finished intaglio print: integrated printed and painted marks. Techniques involved: Photo etching, collagraph ( Ladram Bay Otter Sandstone) earth ink (Mercia Mudstone), black and grey ink applied ‘a la poupée’, hand applied blue, red, yellow and white acrylic. Printed…
EARTH GULL ARTIST PROOF (4) Unique print. Hand-finished intaglio print. 36x36cm Medium: Hand-finished intaglio print: integrated printed and painted marks. Techniques involved: Photo etching, collagraph ( Ladram Bay Otter Sandstone) earth ink (Mercia Mudstone), black and grey ink applied ‘a la poupée’, hand applied blue, red, yellow and white acrylic. Printed on Arches Cream paper 250gsm. acid free 100%…
FEEDING YOUNG. NESTING SWALLOWS. A unique piece (not a print) using crylic and graphite on a repurposed etching. 49x39cm. September 2010. A late family in an open-sided shed in Applecross, North West Highlands of Scotland. The swallows and me both making use of this shelter between frequent showers. We became accustomed to each other. I used the textures of an…
Watercolour and site earths on handmade cotton rag paper. 71x36cm paper size. The piece is framed: dimensions 89x55cm framed. The piece was made looking east to Dungy Head. A rich local palette can be gathered along the cliff base and on the way down into the steep valley.
FISHERMAN WITH NEEM TWIG. Mahabalipuram Beach. Tamil Nadu. February 2010. 31x43cm This gentleman sat comfortably for a long while as I drew ...he gave me permission graciously I I felt able to look hard...where as in many situations looking hard felt intrusive. We started at 7am by which time the sun was already well risen.
A diptych. Watercolour, beach earths and debris on handmade cotton rag paper. 31x9cm paper size. 44x22cm framed dimensions. I sat amongst the rock pools with the crows pecking around...see the painting in progress in the gallery. The painting is framed. I'm happy to send a photo of the presentation. The cost of postage is not included in this price. I'll be…
Not easy to spot sometimes...there are always one or two more in the group when they fly off in alarm. The orange beaks give them away. This was painted on a flat stone found on the beach. A piece of iron too...the binding medium is rabbit skin size. True gesso involving chalk with the size forms the base upon which…
Made on a dynamic day in Freshwater Bay on The Isle of Wight using a watercolour medium (Aquapasto) to hold on to the structure. I cannot remember the date but I remember the experience. I found it recently in my personal archive. I always rather liked it. It is unframed. Painted on a heavy rough paper. Watermarked. 36 x 27cm…
Site earths and gouache on card. Deeply encrusted with traces of visits. Material added and material taken away. This piece is not framed. I can arrange for framing - this will be £520 framed.
GOLDEN CAP ESTATE STORM. Fleetingly golden. This was returned to the site on several occasions and finally I held this moment. A patch of blue. Displayed on a baton system in which one wooden baton is attached to the wall with a screw. The painting is attached to MDF. Another baton (attached to the back of the painting) sits on…
Eype is absolutely full of delicious local earths...and fragments of litter. I enjoyed the energy of the gorse yellow. This is currently displayed framed.
GORSE AND GULLS-WATTON CLIFF, EYPE. Gouache and beach earths on handmade cotton rag paper. 16x21cm image size. Available framed 38x31cm. Limed ash with wooden slip limed floated on foamcore on acid free board. If postage is required I will discuss options. If you look carefully there are loads of gulls circling around the airy cliffs...a diagonal bank of cloud isn't…
Standing close to the edge at Handfast Point near St Lucas' Leap. Deep shadow renders chalk blue. Fresh lively maritime air. Framed in beautiful limed ash 'box' frame with wood fillet and floated to display edges. Glazed. This is the framed price. Ready to hang.
Made using traditional true gesso (animal protein size and chalk) on a recovered piece of wood from the site. This is slowly built up in many layers integrating site material (horned poppy seeds for example) and watercolour. The surface is sealed to protect the sensitive surface from humidity and dust. I have chosen to present this simply mirror plated on…
A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. The cost of postage is not included in this price.
A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. The cost of postage is not included in this price.
A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. The cost of postage is not included in this price.
A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. The cost of postage is not included in this price.
A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. The rain has left its mark in the paint. The biting insects didn't seem to venture into the tent...I remember doing this looking out. The cost of postage is not included in this…
A monotype (unique print) oil on paper. Mounted. A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. Upon my return, I made monotypes in response to strong visual memory of certain moments. The cost of postage is not included in this price.
A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. The crust of the earth was very thin here...the air full of sulphur and steam. The cost of postage is not included in this price.
I have similar variations... round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. This print was made upon my return in response to the cleanness of the air. The cost of postage is not included in this price.
A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. The cost of postage is not included in this price.
I found a bit of iron on the beach, held it against the light and discovered the castle...the image grew from there...I've built the image using true gesso and rabbit skin size with earth pigments from the environment. A small quantity of watercolour is involved. The painting is framed. I'm happy to send a photo of the presentation. The cost…
This piece is brightly lit... with the red and white chalk of those remarkable cliffs at Old Hunstanton buoyant under a cloudless sky. The coarse matter in the foreground is littered with falls...Carr stone beneath the chalk is coarser than the chalk...this is a constantly mobile coastline. The binding medium here is true gesso (rabbit skin size and chalk)...I've added…
LADRAM MEW. Unique print. Hand-finished intaglio print. 36x36cm...you can see the collagraph blind textures and the earth ink as well as the photo etching plates...painted gestures...I haven't made an edition...
Ladram Red, Sidmouth, Devon. Medium: Otter Sandstone, Mercia Mudstone and gouache on handmade cotton rag paper. Ladram Bay has some beautiful triassic sea stacks- here they are with a touch of cobalt turquoise...if you begin to climb towards Sidmouth and look down and back into the bay a cove reveals itself partially. Access is difficult except from the sea. The water…
This piece is built up over several layers and has become akin to an object rather than a sheet of paper. Integrated into the surface is the red and white chalk of those remarkable cliffs. The coarser matter is Carr stone...coarser than the chalk. The medium here is true gesso (rabbit skin size and chalk) ...I've added blue and yellow…
This piece is richly encrusted with the red and white chalk. This chalk is not as easy to work with as the Dorset chalk Im familiar with. The coarser texture is Carr stone...it is less red than the chalk than the chalk. The binding medium here is acrylic...I've added blue and yellow artist pigments...everything else was found on location. The…
MACKEREL MOON Sitting on the edge of the beach with Weymouth in the top right corner, the Chesil sweeps away and I wait for the moon to appear. I see the sky warm almost imperceptably before it eases into visibility. I'm drawn awake by the energy of the full moon...the moment the moon begins to wane I can feel it.…
The starlings curl in from the sea and their movement lifts to mirror the contours of the shingle. Currently unframed. The cost of postage is not included in this price.
A moment when an arc of starling becomes Northern Light - bird and star. Encrusted with marsh and shingle. This is framed. January 2022. The cost of postage is not included in the price.
A day of sun and showers...I was struck by the mobility of the weather in Orkney on my first visit across the Pentland Firth. This is a watercolour...I tinted the paper partially with a transparent red as my first gesture. Unframed. The cost of postage is not included in this price.
Breeze...low light...glare...birds busy at the waters' edge. 38x31cm framed dimensions.The painting is framed. I'm happy to send a photo of the presentation. The cost of postage is not included in this price. I'll be in touch to discuss options.
A lively pink tinged berg sails sits within a temporarily green-tinged world. Painted in acrylic on a 4cm deep canvas. The painting is ready to hang. It is an unframed box canvas- the paint wraps round the sides. I'm happy to send a photo of the presentation. The cost of postage is not included in this price. I'll be in…
The local ravens are not frequently nearby. They reside in the maritime pines above the shore...present more often by their voice. This painting is framed: size 38x31cm. Limed ash. Floated in box frame. I'm happy to send a photo of the presentation. The cost of postage is not included in this price. I'll be in touch to discuss options.
There is a water course that oozes from the base of the low cliff. In summer, after a long dry period, the resident ravens made good use of it. 30x28x6cm framed dimensions. This piece is on wood...also foraged from the beach. The frame is limed ash...unglazed. Please ask for a photo of this piece. The cost of postage is not included…
This piece is built up over several layers and has become akin to an object rather than a sheet of paper. Integrated into the surface is the red and white chalk of those remarkable cliffs. The coarser matter is Carr stone...coarser than the chalk. The medium here is true gesso (rabbit skin size and chalk) ...I've added blue and yellow…
Drawing in the streets without drawing attention to oneself wasnt easy...and some artists are fine with it but Im more comfortable anonymously observing.I had a pouch in front of me with paper and tools and I drew freely taking a sheet out and drawing as I walked and looked. I took the work back to my room and then went…
True gesso, watercolour with site earths on handmade cotton rag paper. 14x19cm paper size. The white of the terns was so very different to the white waves. I could hear them calling to each other across the harbour...thanks to the quiet during 'lockdown'. The painting is framed and on view in the studio.
SMALL SUNSHINE STUDY. North West Highlands of Scotland. September 2011. Acrylic on handmade cotton rag paper. 15x12cm The changeable light is one of the delights as I travel north...mountain weather never ceases to surprise. Here is a slice of light meandering across the land. Near Applecross.
This is currently displayed unframed- suspended on a wooden baton - this allows the piece to find its own shape and to have no glass interference...do contact me for a photo or to discuss options. I wrote a poem along with this painted experience...do contact me if interested to read it. It was painted outside with great difficulty during Storm…
In a storm all sorts of stuff gets spat out by the sea. A messy situation...full of wrack and wreck...wind pushing in from the sea. A double layer of paper here...sky stained with earth. This is presented on a wooden baton and hangs in space detached from its wall...finding its own space. I include in the gallery an example of…
Sunday Afternoon Dusk. West Bay, Dorset. Winter afternoon walking along the shore...I notice a family- a toddler and a dog walk across the sky line... Gouache on 300gsm cartridge paper.
Sunset in East Jerusalem. Watercolour on lemon/cream smooth paper. Made on location in 1987...painting in intense heat with watercolour I was using loads of water with the colours so the evaporation would leave dried pools of pale pigment.
This is the view from Durdle Door beach - looking east towards Swyre Head in Lulworth. A tiny oil on paper. Made of two square metal plates. Unmounted and unframed...easy to pop in the post.
This is made with site litter, beach materials, acrylic and watercolour on handmade cotton rag paper. The white of the terns flash brilliant white against the storm. Terns nest in the Chesil shingle just a mile or so behind me. Chiswell parish lies just out of the image behind the Chesil beach, Portland. This painting is framed. Limed ash. Wood…
This image was made during that very quiet sunny spell in the early months of skies without planes when the world quietened. I don't hear cuckoos every year. A joyful moment. It is available from my studio. This is the framed price.
THE DAY I MET LILY AND JOSH. Site earths and watercolour on handmade cotton rag paper. Framed and available in the studio. In the Product gallery I've included a photo taken just at the beginning of the piece- and chatting to Lily and Josh...a delightful young couple enjoying a weekend away in their camper van. Even that green is an…
Twelfth Moon. 2020. The moon set over the Chesil bank as the sun rose behind. This corner of The Fleet by Ferry Bridge near the wonderful Crabhouse Cafe has a good deal of debris and mud to engage with. I'm responding to it's rich patina and history here. The painting is framed in limed ash and floated. The framing style…
A dog stands motionless (dribbling slightly as they do in anticipation!) waiting for the owner in a plain yellow dress to give the go-ahead: OK. This was made in a market in Corsica...can't quite remember where. Grey paper with watercolour.
A cool sea mist veils Swyre...I've gathered earths from the shore and climbed up again to enjoy the elegance of the great sweeps of chalk cliff...the chalk is mottled with patches of turf and stained...This piece is framed. 88x54cm framed dimensions. Floated on foam core - limed ash frame. Please contact me for a photo of the presentation.
A fragment of litter on the beach had the quality of fish scales and storm light! TMW Turner stood at this very spot. This is framed and the cost is inclusive of the frame. It can be seen in the studio...along with two other pieces made in the same place and included in the gallery below. An ARTCARD featuring this…
A moment when a patch of blue promised better weather to come. The beach is fringed with a rich palette of earths. Most of the pigments here are sourced on site...Ive only added a blue and yellow. This is currently displayed unframed- suspended on a wooden baton - this allows the piece to find its own shape and to have…
Made on Fabriano 160gsm tinted (tiziano zabalone) a soft yellow - using gouache- leaving the warmth of the yellow to breathe through especially on the high plateau. The shadow congregates and hovers where the valley falls away. Made near Abergavenny . The image bleeds over the edge of the paper. 21x21cm. Signed bottom right.
WET KALE SHINGLE. Cogden Nature Reserve beach, Chesil, Dorset. 2016. A correspondence became evident between rounded shingle and the droplets of dew and rainwater held on the surface of the Sea Kale leaves...they run like mercury. Sea Kake is so adapted to this exposed environment...deep tap roots, waterproofed leaves storing moisture and holding water in a way that guides it…
Made on location on a bright morning...fresh breeze...energetic sea. Watercolour on watercolour board. The cost of postage is not included in this price.
