This piece is richly encrusted with the red and white chalk of those remarkable cliffs. I'm sitting at a distance to them at low tide. The sea-smoothed boulders in the foreground are largely Carr stone...coarser than the chalk. The binding medium here is acrylic...I've added blue and yellow artist pigments...everything else was found on location. I worked with this piece…
A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. I have a few very similar prints...so do contact me if you would like to see. Postage not included in price.
...a beautiful clear summer dawn... settled weather. The caravans are perched high towards the sun. I'm still in the shade. (diptych) Site debris and watercolour on handmade cotton rag paper. 44x16cm. This is prepared ready to hang with a baton behind (to be displayed without a frame). I'm happy to send a photo of the presentation. The cost of postage is…
Made on location in a lively breeze...strong contre jour. A cream tinted Ingres paper upon which I could add the bright white of the breaking waves. Unframed. The cost of postage is not included in this price.
This is the moment when an arc of starling becomes funnel- and they seem to be sucked into the reed beds where they commence to chatter and organise themselves. Encrusted with marsh and shingle. This is currently unframed. The cost of postage is not included in the price.
This piece is richly encrusted with the red and white chalk of those remarkable cliffs. The coarse matter in the foreground is Carr stone...coarser than the chalk. The binding medium here is acrylic...I've added blue and yellow artist pigments...everything else was found on location. Unframed work. Handmade cotton rag paper. The cost of postage is not included in this price.
The silhouettes of rock pool mounds and crows against the low light ... looking straight into the dark/light glare of water, feather and stone. This piece is framed- dimensions: 38x31cm. I'm happy to send a photo of the presentation. The cost of postage is not included in this price. I'll be in touch to discuss options.
This image is framed. Ferry Bridge is just to the top right of the image...Portland is still dark with lights twinkling. Dawn is growing out of a crimson slice cut out of a twilight sky... Acrylic and site debris on handmade cotton rag paper. 70x37cm paper size. 90x55cm framed dimensions. The painting is framed. I'm happy to send a photo…
This began in 2011 in a portrait format. I returned with the piece along the same shoreline over time. It is a constantly mobile bit of coast so it seemed absolutely appropriate to 'over-write' radically according to the conditions. The surface has heavily impasto and deeply scored...material has been removed as well as added. Unframed currently but displayed on a…
This piece is framed. It was painted in March 2020 just before travel restrictions were put in place. A bright and breezy day with fragments of chalk from rabbit scrapes to make into pigment. The cost of postage is not included in this price.
In March 2020 this was one of the last site visits I made before travel was denied. I sat up on the hillside just above the stream of visitors as the morning sun behind the arch created intense contre jour... a remarkable green/turquoise reflection shimmered in the water. Chalk fragments were scattered around me...they are often tossed out by rabbits.…
Eype beach looking west has some extravagant sweeps and dips...at first light the sun just touches the headlands...it doesn't last long. The rest of the coast is in night shadow. Diptych. Handmade cotton rag paper. This is currently displayed unframed- suspended on wooden batons - this allows the piece to find its own shape and to have no glass interference...do…
Eype beach looking west has some extravagant sweeps and dips...at first light the sun just touches the headlands...it doesn't last long. The rest of the coast is in night shadow. Diptych. Handmade cotton rag paper. This is currently displayed unframed- suspended on wooden batons - this allows the piece to find its own shape and to have no glass interference...do…
This is a unique print...an Artist Proof. Signed on the front in ink. Medium: Hand-finished intaglio print: integrated printed and painted marks. Techniques involved: Photo etching, collagraph ( Ladram Bay Otter Sandstone) earth ink (Mercia Mudstone), black and grey ink applied ‘a la poupée’, hand applied blue, red, yellow and white acrylic. Printed on Arches Cream paper 250gsm. acid free…
Title: Earth Gull: Ladram Call. 2017. Edition: 20 (signed by the artist in pencil on the back of the print) Medium: Hand-finished intaglio print: integrated printed and painted marks. Techniques involved: Photo etching, collagraph ( Ladram Bay Otter Sandstone) earth ink (Mercia Mudstone), black and grey ink applied ‘a la poupée’, hand applied blue, red, yellow and white acrylic. Printed…
EARTH GULL ARTIST PROOF (4) Unique print. Hand-finished intaglio print. 36x36cm Medium: Hand-finished intaglio print: integrated printed and painted marks. Techniques involved: Photo etching, collagraph ( Ladram Bay Otter Sandstone) earth ink (Mercia Mudstone), black and grey ink applied ‘a la poupée’, hand applied blue, red, yellow and white acrylic. Printed on Arches Cream paper 250gsm. acid free 100%…
A diptych. Watercolour, beach earths and debris on handmade cotton rag paper. 31x9cm paper size. 44x22cm framed dimensions. I sat amongst the rock pools with the crows pecking around...see the painting in progress in the gallery. The painting is framed. I'm happy to send a photo of the presentation. The cost of postage is not included in this price. I'll be…
Not easy to spot sometimes...there are always one or two more in the group when they fly off in alarm. The orange beaks give them away. This was painted on a flat stone found on the beach. A piece of iron too...the binding medium is rabbit skin size. True gesso involving chalk with the size forms the base upon which…
...just the black tip that drew my attention to the gannet....we sometimes see them after storms... This is currently unframed. I'm happy to send a photo of the kind of presentation I use. The cost of postage is not included in this price.
Site earths and gouache on card. Deeply encrusted with traces of visits. Material added and material taken away. This piece is presented on a wooden baton so it is detached from the wall but not glazed. This may not be suitable for all contexts. Do contact if interested to discuss any aspect of this piece.
Eype is absolutely full of delicious local earths...and fragments of litter. I enjoyed the energy of the gorse yellow. This is currently displayed unframed- suspended on a wooden baton - this allows the piece to find its own shape and to have no glass interference...do contact me for a photo or to discuss options. The cost of postage is not…
Made using traditional true gesso (animal protein size and chalk) on a recovered piece of wood from the site. This is slowly built up in many layers integrating site material (horned poppy seeds for example) and watercolour. The surface is sealed to protect the sensitive surface from humidity and dust. I have chosen to present this simply mirror plated on…
