• AMONGST LOW TIDE POOLS AND MOUNDS, OLD HUNSTANTON.AMONGST LOW TIDE POOLS AND MOUNDS, OLD HUNSTANTON.Quick View
    • AMONGST LOW TIDE POOLS AND MOUNDS, OLD HUNSTANTON.AMONGST LOW TIDE POOLS AND MOUNDS, OLD HUNSTANTON.Quick View
    • AMONGST LOW TIDE POOLS AND MOUNDS, OLD HUNSTANTON.

    • £2,200.00
    • This piece is richly encrusted with the red and white chalk of those remarkable cliffs. I'm sitting at a distance to them at low tide. The sea-smoothed boulders in the foreground are largely Carr stone...coarser than the chalk. The binding medium here is acrylic...I've added blue and yellow artist pigments...everything else was found on location. I worked with this piece…
    • Add to basket
  • CLIFFS BASKING. Old Hunstanton.Quick View
    • CLIFFS BASKING. Old Hunstanton.Quick View
    • CLIFFS BASKING. Old Hunstanton.

    • £680.00
    • This piece is richly encrusted with the red and white chalk of those remarkable cliffs. The coarse matter in the foreground is Carr stone...coarser than the chalk. The binding medium here is acrylic...I've added blue and yellow artist pigments...everything else was found on location.  Unframed work. Handmade cotton rag paper. The cost of postage is not included in this price.
    • Add to basket
  • JOINT AND SLIP, HUNSTANTON.Quick View
    • JOINT AND SLIP, HUNSTANTON.Quick View
    • JOINT AND SLIP, HUNSTANTON.

    • £480.00
    • This piece is brightly lit... with the red and white chalk of those remarkable cliffs at Old Hunstanton buoyant under a cloudless sky. The coarse matter in the foreground is littered with falls...Carr stone beneath the chalk is coarser than the chalk...this is a constantly mobile coastline. The binding medium here is true gesso (rabbit skin size and chalk)...I've added…
    • Add to basket
  • LEMON, COBALT TURQUOISE & RED CHALK, HUNSTANTONQuick View
    • LEMON, COBALT TURQUOISE & RED CHALK, HUNSTANTONQuick View
    • LEMON, COBALT TURQUOISE & RED CHALK, HUNSTANTON

    • £480.00
    • This piece is built up over several layers and has become akin to an object rather than a sheet of paper. Integrated into the surface is the red and white chalk of those remarkable cliffs. The coarser matter  is Carr stone...coarser than the chalk. The medium here is true gesso (rabbit skin size and chalk) ...I've added blue and yellow…
    • Add to basket
  • LIGHT AND SHADE ALONG THE SHORE. Old Hunstanton.Quick View
    • LIGHT AND SHADE ALONG THE SHORE. Old Hunstanton.Quick View
    • LIGHT AND SHADE ALONG THE SHORE. Old Hunstanton.

    • £680.00
    • This piece is richly encrusted with the red and white chalk. This chalk is not as easy to work with as the Dorset chalk Im familiar with. The coarser texture is Carr stone...it is less red than the chalk than the chalk. The binding medium here is acrylic...I've added blue and yellow artist pigments...everything else was found on location. The…
    • Add to basket
  • RECENT FALL. HUNSTANTON.Quick View
    • RECENT FALL. HUNSTANTON.Quick View
    • RECENT FALL. HUNSTANTON.

    • £480.00
    • This piece is built up over several layers and has become akin to an object rather than a sheet of paper. Integrated into the surface is the red and white chalk of those remarkable cliffs. The coarser matter  is Carr stone...coarser than the chalk. The medium here is true gesso (rabbit skin size and chalk) ...I've added blue and yellow…
    • Add to basket