Sunday Afternoon Dusk. West Bay, Dorset. Winter afternoon walking along the shore...I notice a family- a toddler and a dog walk across the sky line... Gouache on 300gsm cartridge paper.
Sunset in East Jerusalem. Watercolour on lemon/cream smooth paper. Made on location in 1987...painting in intense heat with watercolour I was using loads of water with the colours so the evaporation would leave dried pools of pale pigment.
This is the view from Durdle Door beach - looking east towards Swyre Head in Lulworth. A tiny oil on paper. Made of two square metal plates. Unmounted and unframed...easy to pop in the post.
This is made with site litter, beach materials, acrylic and watercolour on handmade cotton rag paper. The white of the terns flash brilliant white against the storm. Terns nest in the Chesil shingle just a mile or so behind me. Chiswell parish lies just out of the image behind the Chesil beach, Portland. This painting is framed. Limed ash. Wood…
38 pages. Full colour. 21x21cm A publication prompted by the exhibition, The Common Ground at The Crafts Study Centre, Farnham. January to May 2020. Content: written contributions by Professor Simon Olding, an essay by Frances Hatch and poem by Elisabeth Bletsoe. Contributions by Adam Buick, Akiko Hirai, Kyra Cane and Jack Doherty. Over 30 reproductions. ISBN 978-1-9162971-0-4
This image was made during that very quiet sunny spell in the early months of skies without planes when the world quietened. I don't hear cuckoos every year. A joyful moment. It is available from my studio. This is the framed price.
THE DAY I MET LILY AND JOSH. Site earths and watercolour on handmade cotton rag paper. Framed and available in the studio. In the Product gallery I've included a photo taken just at the beginning of the piece- and chatting to Lily and Josh...a delightful young couple enjoying a weekend away in their camper van. Even that green is an…
Twelfth Moon. 2020. The moon set over the Chesil bank as the sun rose behind. This corner of The Fleet by Ferry Bridge near the wonderful Crabhouse Cafe has a good deal of debris and mud to engage with. I'm responding to it's rich patina and history here. The painting is framed in limed ash and floated. The framing style…
A dog stands motionless (dribbling slightly as they do in anticipation!) waiting for the owner in a plain yellow dress to give the go-ahead: OK. This was made in a market in Corsica...can't quite remember where. Grey paper with watercolour.
A cool sea mist veils Swyre...I've gathered earths from the shore and climbed up again to enjoy the elegance of the great sweeps of chalk cliff...the chalk is mottled with patches of turf and stained...This piece is framed. 88x54cm framed dimensions. Floated on foam core - limed ash frame. Please contact me for a photo of the presentation.
A fragment of litter on the beach had the quality of fish scales and storm light! TMW Turner stood at this very spot. This is framed and the cost is inclusive of the frame. It can be seen in the studio...along with two other pieces made in the same place and included in the gallery below. An ARTCARD featuring this…
A moment when a patch of blue promised better weather to come. The beach is fringed with a rich palette of earths. Most of the pigments here are sourced on site...Ive only added a blue and yellow. This is currently displayed unframed- suspended on a wooden baton - this allows the piece to find its own shape and to have…
