A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. The cost of postage is not included in this price.
I found a bit of iron on the beach, held it against the light and discovered the castle...the image grew from there...I've built the image using true gesso and rabbit skin size with earth pigments from the environment. A small quantity of watercolour is involved. The painting is framed. I'm happy to send a photo of the presentation. The cost…
The moon floats above a delicious foreground still full of night. The moon light picks out definition here and there... This is the framed price. Framed dimensions: 38x36cm. I'm happy to send a photo of the presentation. The cost of postage is not included in this price. I'll be in touch to discuss options.
This piece is brightly lit... with the red and white chalk of those remarkable cliffs at Old Hunstanton buoyant under a cloudless sky. The coarse matter in the foreground is littered with falls...Carr stone beneath the chalk is coarser than the chalk...this is a constantly mobile coastline. The binding medium here is true gesso (rabbit skin size and chalk)...I've added…
LADRAM MEW. Unique print. Hand-finished intaglio print. 36x36cm...you can see the collagraph blind textures and the earth ink as well as the photo etching plates...painted gestures...I haven't made an edition...
Ladram Red, Sidmouth, Devon. Medium: Otter Sandstone, Mercia Mudstone and gouache on handmade cotton rag paper. Ladram Bay has some beautiful triassic sea stacks- here they are with a touch of cobalt turquoise...if you begin to climb towards Sidmouth and look down and back into the bay a cove reveals itself partially. Access is difficult except from the sea. The water…
This piece is built up over several layers and has become akin to an object rather than a sheet of paper. Integrated into the surface is the red and white chalk of those remarkable cliffs. The coarser matter is Carr stone...coarser than the chalk. The medium here is true gesso (rabbit skin size and chalk) ...I've added blue and yellow…
This piece is richly encrusted with the red and white chalk. This chalk is not as easy to work with as the Dorset chalk Im familiar with. The coarser texture is Carr stone...it is less red than the chalk than the chalk. The binding medium here is acrylic...I've added blue and yellow artist pigments...everything else was found on location. The…
MACKEREL MOON Sitting on the edge of the beach with Weymouth in the top right corner, the Chesil sweeps away and I wait for the moon to appear. I see the sky warm almost imperceptably before it eases into visibility. I'm drawn awake by the energy of the full moon...the moment the moon begins to wane I can feel it.…
A line of energy curling in with the tide and easing over the contours of the shingle... This is unframed...being very recently made. The cost of postage is not included in this price.
The starlings curl in from the sea and their movement lifts to mirror the contours of the shingle. Currently unframed. The cost of postage is not included in this price.
A moment when an arc of starling becomes Northern Light - bird and star. Encrusted with marsh and shingle. This is framed. January 2022. The cost of postage is not included in the price.
