This piece is built up over several layers and has become akin to an object rather than a sheet of paper. Integrated into the surface is the red and white chalk of those remarkable cliffs. The coarser matter is Carr stone...coarser than the chalk. The medium here is true gesso (rabbit skin size and chalk) ...I've added blue and yellow…
This piece is richly encrusted with the red and white chalk. This chalk is not as easy to work with as the Dorset chalk Im familiar with. The coarser texture is Carr stone...it is less red than the chalk than the chalk. The binding medium here is acrylic...I've added blue and yellow artist pigments...everything else was found on location. The…
A line of energy curling in with the tide and easing over the contours of the shingle... This is unframed...being very recently made. The cost of postage is not included in this price.
The starlings curl in from the sea and their movement lifts to mirror the contours of the shingle. Currently unframed. The cost of postage is not included in this price.
A day of sun and showers...I was struck by the mobility of the weather in Orkney on my first visit across the Pentland Firth. This is a watercolour...I tinted the paper partially with a transparent red as my first gesture. Unframed. The cost of postage is not included in this price.
Title and artist name as it appears on reverse FRANCES HATCH : Where Limestone Pavements Sit, Malhamdale, Yorkshire. October 2019. 16x22cm. Site earths and watercolour on cotton rag paper. FRANCES HATCH : Lips of Autumn at Jenner's Foss, Malhamdale, Yorkshire. October 2019. 16x22cm. Site earths and watercolour on cotton rag paper. FRANCES HATCH : Lodmoor November Moon, Weymouth, Dorset. 2019.…
