A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. The cost of postage is not included in this price.
A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. The cost of postage is not included in this price.
A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. The rain has left its mark in the paint. The biting insects didn't seem to venture into the tent...I remember doing this looking out. The cost of postage is not included in this…
A monotype (unique print) oil on paper. Mounted. A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. Upon my return, I made monotypes in response to strong visual memory of certain moments. The cost of postage is not included in this price.
A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. The crust of the earth was very thin here...the air full of sulphur and steam. The cost of postage is not included in this price.
I have similar variations... round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. This print was made upon my return in response to the cleanness of the air. The cost of postage is not included in this price.
A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. The cost of postage is not included in this price.
I found a bit of iron on the beach, held it against the light and discovered the castle...the image grew from there...I've built the image using true gesso and rabbit skin size with earth pigments from the environment. A small quantity of watercolour is involved. The painting is framed. I'm happy to send a photo of the presentation. The cost…
This piece is brightly lit... with the red and white chalk of those remarkable cliffs at Old Hunstanton buoyant under a cloudless sky. The coarse matter in the foreground is littered with falls...Carr stone beneath the chalk is coarser than the chalk...this is a constantly mobile coastline. The binding medium here is true gesso (rabbit skin size and chalk)...I've added…
LADRAM MEW. Unique print. Hand-finished intaglio print. 36x36cm...you can see the collagraph blind textures and the earth ink as well as the photo etching plates...painted gestures...I haven't made an edition...
Ladram Red, Sidmouth, Devon. Medium: Otter Sandstone, Mercia Mudstone and gouache on handmade cotton rag paper. Ladram Bay has some beautiful triassic sea stacks- here they are with a touch of cobalt turquoise...if you begin to climb towards Sidmouth and look down and back into the bay a cove reveals itself partially. Access is difficult except from the sea. The water…
This piece is built up over several layers and has become akin to an object rather than a sheet of paper. Integrated into the surface is the red and white chalk of those remarkable cliffs. The coarser matter is Carr stone...coarser than the chalk. The medium here is true gesso (rabbit skin size and chalk) ...I've added blue and yellow…
