Not easy to spot sometimes...there are always one or two more in the group when they fly off in alarm. The orange beaks give them away. This was painted on a flat stone found on the beach. A piece of iron too...the binding medium is rabbit skin size. True gesso involving chalk with the size forms the base upon which…
Made on a dynamic day in Freshwater Bay on The Isle of Wight using a watercolour medium (Aquapasto) to hold on to the structure. I cannot remember the date but I remember the experience. I found it recently in my personal archive. I always rather liked it. It is unframed. Painted on a heavy rough paper. Watermarked. 36 x 27cm…
Site earths and gouache on card. Deeply encrusted with traces of visits. Material added and material taken away. This piece is not framed. I can arrange for framing - this will be £520 framed.
GOLDEN CAP ESTATE STORM. Fleetingly golden. This was returned to the site on several occasions and finally I held this moment. A patch of blue. Displayed on a baton system in which one wooden baton is attached to the wall with a screw. The painting is attached to MDF. Another baton (attached to the back of the painting) sits on…
Eype is absolutely full of delicious local earths...and fragments of litter. I enjoyed the energy of the gorse yellow. This is currently displayed framed.
GORSE AND GULLS-WATTON CLIFF, EYPE. Gouache and beach earths on handmade cotton rag paper. 16x21cm image size. Available framed 38x31cm. Limed ash with wooden slip limed floated on foamcore on acid free board. If postage is required I will discuss options. If you look carefully there are loads of gulls circling around the airy cliffs...a diagonal bank of cloud isn't…
Standing close to the edge at Handfast Point near St Lucas' Leap. Deep shadow renders chalk blue. Fresh lively maritime air. Framed in beautiful limed ash 'box' frame with wood fillet and floated to display edges. Glazed. This is the framed price. Ready to hang.
Made using traditional true gesso (animal protein size and chalk) on a recovered piece of wood from the site. This is slowly built up in many layers integrating site material (horned poppy seeds for example) and watercolour. The surface is sealed to protect the sensitive surface from humidity and dust. I have chosen to present this simply mirror plated on…
A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. The cost of postage is not included in this price.
A round Iceland bus ticket in August- September 1983 made it possible to jump on and off at will and pitch the tent- recording as I went. The cost of postage is not included in this price.
